After a baccalaureate in Economics and three years at the University of the Eastern Republic of Uruguay (Organization and Administration), he was bewitched by the stage and trained in dance and theater, notably with Eduardo Schinca (setting up scene), Nelly Passeggi (dance / choreography), Roberto Fontana (theater, phoniatrics), Fred Curchack (improvisation), Eugénio Barba (dramaturgy and composition), Neyde Veneziano (musical theater), Alexander Stillmark (Distanciation) Aderbal Junior (creation of character).

In 1992 his first production (La Cantatrice chauve by Eugène Ionesco) led him to a change of direction in his work; he left the traditional company to found his company and devote himself to training actors and performing shows.

It was the change of century that constantly challenged him on new adventures and he envisioned Europe, the distant land of his Spanish and Italian ancestors. Since 2002 he resides in France and continues his experience in the performing arts with montages where text, music, dance and image mix and articulate dramatically to ultimately build a single language.

His artistic research leads him to the dramaturgy of pieces in which the question of the human being as an artist is at the center of the construction rather than the work in itself, such as for example the shows conceived around the life and work of: Vaslav Nijinsky and Isadora Duncan, Frida Kahlo, Federico Garcia Lorca, Arthur Rimbaud and William Shakespeare.